Gioacchino Antonio Rossini - traducción al francés
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Gioacchino Antonio Rossini - traducción al francés

ITALIAN OPERA COMPOSER
Rossini; Giacchino Rossini; Gioacchino Antonio Rossini; Gioachino Antonio Rossini; G. Rossini; Gioacchino Rossini; Gioacchimo Rossini; Giachino Rossini; Ballets to the music of Gioachino Rossini; Giovacchino Rossini; Giacomo Rossini
  • Alexandre Fragonard]]
  • alt=A painting of a stage setting based on the ramparts of Sterling Castle in the Late Middle Ages.
  • George IV]] (left) greeting Rossini at the [[Brighton Pavilion]], 1823
  • Rossini in 1865, by [[Étienne Carjat]]
  • [[Domenico Barbaja]] in Naples in the 1820s
  • Guillaume Tell]]'', with [[Laure Cinti-Damoreau]] as Mathilde, [[Adolphe Nourrit]] as Arnold Melchtal, and [[Nicolas Levasseur]] as Walter Furst
  • p=15}}
  • [[Isabella Colbran]], ''[[prima donna]]'' of the [[Teatro San Carlo]], who married Rossini in 1822
  • Isolier, Ory, Adèle and Ragonde, in ''[[Le comte Ory]]''
  • group=n}}
  • [[Olympe Pélissier]] in 1830
  • Extract from "Di tanti palpiti" (''Tancredi'')
  • lk=no}}
  • lk=no}}
  • Poster for a performance of ''Tancredi'' in [[Ferrara]], 1813
  • alt=funerary monument
  • Rossini's final resting place, in the [[Basilica of Santa Croce]], Florence; sculpture by [[Giuseppe Cassioli]] (1900)

Gioacchino Antonio Rossini      
Gioacchino Antonio Rossini (1792-1868), Italian composer who wrote many famous operas including "The Barber of Seville"
Rossini      
Rossini, family name; Gioacchino Antonio Rossini (Italian composer, wrote many famous operas including "The Barber of Seville")
Rossini Giocchino      
Gioacchino Antonio Rossini (1792-1868) (Italian composer, wrote many famous operas including "The Barber of Seville")

Definición

Ferretto
·noun Copper sulphide, used to color glass.

Wikipedia

Gioachino Rossini

Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.

Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During this period he produced his most popular works, including the comic operas L'italiana in Algeri, Il barbiere di Siviglia (known in English as The Barber of Seville) and La Cenerentola, which brought to a peak the opera buffa tradition he inherited from masters such as Domenico Cimarosa and Giovanni Paisiello. He also composed opera seria works such as Tancredi, Otello and Semiramide. All of these attracted admiration for their innovation in melody, harmonic and instrumental colour, and dramatic form. In 1824 he was contracted by the Opéra in Paris, for which he produced an opera to celebrate the coronation of Charles X, Il viaggio a Reims (later cannibalised for his first opera in French, Le comte Ory), revisions of two of his Italian operas, Le siège de Corinthe and Moïse, and in 1829 his last opera, Guillaume Tell.

Rossini's withdrawal from opera for the last 40 years of his life has never been fully explained; contributary factors may have been ill-health, the wealth his success had brought him, and the rise of spectacular grand opera under composers such as Giacomo Meyerbeer. From the early 1830s to 1855, when he left Paris and was based in Bologna, Rossini wrote relatively little. On his return to Paris in 1855 he became renowned for his musical salons on Saturdays, regularly attended by musicians and the artistic and fashionable circles of Paris, for which he wrote the entertaining pieces Péchés de vieillesse. Guests included Franz Liszt, Anton Rubinstein, Giuseppe Verdi, Meyerbeer and Joseph Joachim. Rossini's last major composition was his Petite messe solennelle (1863). He died in Paris in 1868.